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・ Sunil Patel
・ Sunil Paul
・ Sunil Perera
・ Sunil Prabhu
・ Sunil Pradhan
・ Sunil Prajapati
・ Sunil Prasad
・ Sunil Raoh
・ Sunil Raut
・ Sunil Sabharwal
・ Sunil Sahu
・ Sunil Saigal
・ Sunil Salgia
・ Sunil Santha
・ Sunil Sawney
Sunil Shanbag
・ Sunil Shetty
・ Sunil Shinde
・ Sunil Shroff
・ Sunil Singh Chauhan
・ Sunil Singh Yadav
・ Sunil Sivanand
・ Sunil Subramaniam
・ Sunil Sukhada
・ Sunil Suri
・ Sunil Tagare
・ Sunil Tatkare
・ Sunil Thakur
・ Sunil Thapa
・ Sunil Tripathi


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Sunil Shanbag : ウィキペディア英語版
Sunil Shanbag

Sunil Shanbag (born 1956) is an Indian theatre director, screen-writer and documentary film-maker. He has graduated from Mumbai University, and although he didn't have any formal training in theatre, he has worked extensively with Satyadev Dubey, who considers him one of his foremost protégés.
In 1985, Shanbag founded the theatre company Arpana. Its work is characterised by "contemporary and original texts by Indian and international playwrights (in translation), strong performances, minimalist staging, and innovative use of music and design."
==Plays==

In 2007, Shanbag directed the critically acclaimed ''Cotton 56, Polyester 84'' which won three META awards at the Mahindra Theatre Festival, including Best Original Script for its writer, Ramu Ramanathan.〔 The play is a celebration of Mumbai, through the culture spawned by rapid industrialisation, specially in the mills of Girangaon.
In 2010, Shanbag opened the play ''S
*x M
*rality & Cens
*rship''. The play revolves around the censorship woes faced by Vijay Tendulkar's Sakharam Binder in Mumbai in 1974, juxtaposing this against the sanitising of tamasha traditions by middle-class conservatism. The play was funded by a grant from the India Foundation for the Arts and underwent research and rehearsals for almost a year. Ultimately, it was nominated for nine awards at the META Awards, with supporting actress Geetanjali Kulkarni finally winning for her performance.〔(【引用サイトリンク】title=Mahindra Excellence in Theatre Awards )〕 In the same year of 2010 he did a play written by Vivek Narayan .Based on Rabindranath Tagore's famous play DAK GHAR (translated into Hindi for this production by Ashok Mishra), and on true incidents from the life of the Polish doctor and storyteller Dr. Janusz Korczak, the play is a poignant tribute to the human spirit that gathers hope, even where there seems to be none. WALKING TO THE SUN is one of his best work . It brings together the dramatic and more vivid style of Indian storytelling with that of the more stark approach of a European work of art. It is both a requiem and a song of hope.
Also in 2010, through his play ''Dreams of Taleem'', Shanbag tried to cope with the death of playwright Chetan Datar by incorporating Datar's play ''1, Madhavbaug'' in a narrative that dealt with the isolation felt by its gay protagonists.〔(【引用サイトリンク】title=city guide and fortnightly listing magazine :::: )〕 According to The Hindu, it did not seem to ask any new questions in the areas of theatre and sexuality, "despite its strong performances and a script that was otherwise quite seamless."
In 2011, Shanbag presented his musical, ''Stories in a Song''. The show was conceived by noted classical vocalist Shubha Mudgal and percussionist Aneesh Pradhan for the 2011 Baaja Gaaja festival in Pune. According to Mumbai Mirror, the stories in the play "reflected the socio-historical times in which they happened, and are lightly lined with satirical or sympathetic comment."〔(【引用サイトリンク】title=Voice on centerstage, Columnists – Shanta Gokhale )
In 2012, Shanbag was invited to perform a Gujarati adaptation of All's Well That Ends Well as part of the Globe to Globe festival in London, in which all 37 of Shakespeare's plays were performed in 37 different languages at Shakespeare's Globe. The play was well received in the UK press, with The Guardian giving it a four-star rating, and the Arts Desk stating, "Shakespeare's problem play is solved by a buoyant Gujarati staging from Mumbai." Titled ''Maro Piyu Gayo Rangoon'' in India, the play had previously premiered in Mumbai, with veteran theatre critic Shanta Gokhale describing it as "a truly remarkable achievement". In 2014, the play was invited back to the Globe for another run of shows in a month that marked the 450th birth anniversary of Shakespeare.

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